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Pieced Five-Pointed Star

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Paper-pieced star pattern from HotPinkPeonies blog.

Tomorrow's Abe Lincoln's birthday.

Lincoln was born February 12, 1809.

We can celebrate President's month with
a free star pattern you can download at 
Ellen's site.

http://hotpinkpeonies.blogspot.com/2012/07/red-white-blue-blog-hop-block-five.html


In my BlockBase program of historical published quilt patterns
I show 5 similar pieced patterns that you can print out
for paper piecing if you like.

 Ellen's original star is more complicated than the older patterns.
Quite a clever design.




See another post I did  on 5-point stars

http://barbarabrackman.blogspot.com/2013/07/five-pointed-stars-on-fourth.html



Heart Wreath from Fat-Quarter Fancywork

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Feathered Heart Block by Karla Menaugh
18" x 18"


For Valentine's Day Karla and I are giving you a free quilt pattern for the Feathered Heart wreath we designed for our book Fat-Quarter Fancywork. 



Fat-Quarter Folk Dance sampler by Karla 

The book is almost out-of-print, and we hate to see this wonderful heart design disappear. So here it is in a JPG. I scanned the page in the book so it's not the best image but you can use it easily for a pattern.



How to print:

  • Create a Word file or a new empty JPG file that is 8-1/2" x 11".
  • Click on the image above.
  • Right click on it and save it to your file.
  • Print that file out 8-1/2" x 11". The pattern itself should measure about 8" across.
  • The 8" pattern would fit a 10"-15" finished block, but we planned it for an 18" block. Enlarge it 150%.
Cutting:
  • Cut 1 of the wreath, the heart, the bird and 49 of the berries, which finish to 3/4".
  • Add seams to the pattern.
  • Cut a background square 18-1/2" (Karla says 19"to allow for shrinkage as you applique.)

Fabric:


Above are fabric suggestions from two of my latest Moda collections, Richmond Reds and Union Blues.


For the feathered heart wreath you need a 13" square of red. The berries in blue and red can be scraps or cut from Charm squares, as can the bird and the small heart. For the background, which finishes to 18", you need a fat quarter. (Hence, the name of our book Fat Quarter Fancywork).

Our inspiration for this pattern came from the album quilts of Baltimore in the late 1840s. Several quilts we've seen in online auctions include a variation of the heart wreath.

Quilt date-inscribed 1845 from the Maine Antique Digest

Quilt date-inscribed 1850, Mary Boyd from
Skinner Auctions

Karla and I called it a Feathered Heart but I notice in my new catalog from the Daughters of the American Revolution Museum that curator Alden O'Brien and her team of researchers call it a "heart-shaped berry wreath," which describes it better.

Quilt date-inscribed 1848 from McCullough Auctions

Quilt date-inscribed 1847 from a Skinner Auction.
This block celebrates President Andrew Jackson,
who died in 1845.

It's signed:
"Presented by Miss Mary Ann Grooms/Democracy is my Motto/Baltimore/1847."


Miss Grooms named the block (or is it the pattern? ) "General Jackson's Heart". Part of that inscription is at top left above. See more at Skinner:
http://www.skinnerinc.com/auctions/2509/lots/689

Album Quilt made for Betsy Hobbs Harper & Wm. Harper.
Collection of the D.A.R. Museum


One of the quilts in the DAR Museum's current show Eye on Elegance features a "heart-shaped berry wreath" in the center block, similar in shape to the "General Jackson's Heart" above.


The red wreath also refers to Andrew Jackson. As best I can make out from the catalog photo the inking on the left reads:

"Andrew Jackson's Heart. Victory at New Orleans. January 8, 1815. 'The Blessings of Government like the dews of Heaven should be equally dispersed on the Rich and Poor.' A.I.W. Jackson."

Perhaps the best name for this heart-shaped wreath might be "Jackson's Heart."

See the Harper album quilt at this link:
http://eyeonelegance.dar.org/node/33


Karla and I have always loved the Fat-Quarter Fancywork book, which we self-published for our Sunflower Pattern Co-operative several years ago. We still have a few copies in our basements. You can buy one at my Etsy shop.


https://www.etsy.com/shop/BarbaraBrackmanShop?ref=hdr_shop_menu


The just-published museum catalog Eye on Elegance is just about ready to ship. See more here: 

The Morris Jewels

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Moda's sales reps are showing quilt shop buyers another color collection
of my Best of Morris line. 


We printed a separate line of the same prints called the Morris Jewels. Yardage is scheduled to be delivered mid-July with pre-cuts like Layer Cakes in early summer. 

Morris Jewels in Pink Garnet colorway
Here's the description:


William Morris meets pure color in The Morris Jewels. Fabric historian Barbara Brackman has updated favorite prints by the nineteenth-century design master. Twenty-first-century color means jewel tones that give today’s quilters a range from pink garnet and emerald green to sapphire blue and topaz. You’ll love putting color on color with these classic yet contemporary prints.

Emerald

Ruby

Sapphire Blue

Topaz

See a PDF with more information by clicking here:

Spectacular fabric calls for spectacular plans. I haven't seen a square inch of this fabric YET, but I have been Photoshopping.  I'm thinking explosions of color.

Maybe tamed with a yellow Bella Solid as a neutral.

Lime Green always makes a good neutral.
The inspiration here is those turn-of-the-century
Pennsylvania stars.

Actual Star quilt from southeastern Pennsylvania about
1880-1920. From Cowhollow Collectibles.

William Morris meets the Pennsylvania Mennonites.



Virtual Star quilt
The collection also offers 10 colors shaded in Grunge fashion,


adding another layer of texture.

Would William be on board?
He WAS a radical in many ways.

More Photoshopping for inspiration




I can Photoshop a lot better than I can sew 
so these are not going to get made.


Unless, of course, you readers accept the challenge.

Scaling back the dream blocks......
Here's a pattern for a 32" block from BlockBase & EQ7




And a link to a pattern Lissa did for McCall's Quilting about a year ago, using 2-1/2" Moda
JellyRoll strips.

They offer a free download.

You could re-color it, sorta like this.



I'm in QuiltMania

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Carol has written a very nice article about her visit to
my house last fall.

See the current issue: January/February 2015
#105

I did a post when they came to visit. Guy took photos
of several of my antique quilts.
This one arrived while they were there. We hung it up. It's perfect for the spot.

Here are a couple of others from the magazine.
I love this one because the maker substituted Cheerio-like
shapes for the sunflower blocks when she ran out.


Another of my favorites. A great combination
of order and chaos.

See QuiltMania's English page here:
http://www.quiltmania.com/english/home.html

And my post about their visit:
http://barbarabrackman.blogspot.com/2014/11/quiltmania-comes-to-visit.html:

Waiting for Our Ship to Come In

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You may be waiting...

and waiting for your ship to come in.

And not even realize that it's already here.

It's just not getting unloaded.

The other day I was complaining to my friend Bettina
that I hadn't gotten any new fabric in awhile.
She sez:
"Do you think the West Coast shipping troubles could be a factor?"

What!!!!

World trade issues affecting me?

How many bolts of fabric are sitting in the dock of the bay?

Read this article on fabric and the shipping back up:


No it's not a quilt. It's a ship full of containers waiting to be unloaded.

This also might be relevant to the lumber I am waiting for on my new front porch.

Regiment from Fat Quarter Shoppe's Jolly Bars

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Regiment Quilt 43.5" x 52"

The online store the Fat Quarter Shop will be
shipping kits for this quilt made from my Moda Union Blues line.


They are offering a new pre-cut package that is exclusive to their shop. Their Jolly Bar pack includes 42 pieces that are cut 5" x 10".



 The kit for the Regiment quilt offers enough fabric pieces to make the 43-1/2" x 52" quilt plus fabric for binding and backing.

The backing yardage is 8293-11

The price for the kit is $67.48. It will be shipped in March. Order the kit or the Jolly Bar pack here at the Fat Quarter Shop:



You can arrange a finished 4-1/2" x 9-1/2" rectangle into a variety of patterns.

See some other ideas at this post:

Lincoln, Nebraska---Quilts and Causes

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Homefront & Battlefield
Quilts and Context in the Civil War
February 3 - June 27, 2015
Great Plains Art Museum,
Lincoln, Nebraska

The traveling exhibit curated by Madelyn Shaw and Lynne Zacek Bassett will be up in Lincoln through June. Above, the catalog.

It originated at the American Textile History Museum
in Lowell, Massachusetts, and has been traveling to a few other
venues.

ATHM curator Diane Fagan-Affleck hanging the
exhibit at the Great Plains Museum of Art, which
is the last venue.

The photos are from the Lincoln Journal Star . See more here:



"When millions of Americans mobilized for war, the very fabric of life was altered. Banners, uniforms, flags and cloth marked this powerful transition. Objects and their creators tell poignant stories of war that still resonate today. See this touring exhibit, presented by the Nebraska State Historical Society, at its only venue outside the East Coast. An intriguing and absorbing look at the most divisive period in American history."



Quilt House at the International Quilt Study Center & Museum at the University of Nebraska/Lincoln will be exhibiting related quilts from mid-March through November 21, 2015.

COVERING THE WAR: AMERICAN QUILTS IN TIMES OF CONFLICT
"Women on the American home front from the Civil War through Operation Iraqi Freedom have used quiltmaking to engage in the political, economic, social, and psychological aspects of war and loss of human life. “Covering the War” reveals how Americans experienced these needs and “covered” them with quilts."
See more information and other exhibits at this link:
http://www.quiltstudy.org/exhibitions/

The International Quilt Study Center & Museum is planning their Seventh Biennial Symposium for April 16-18, 2015. The theme:

Making and Mending: Quilts for Causes and Commemoration
Presentations include:

“Civilians Face the War: Experiences on the Homefront” by Madelyn Shaw.
“Piecing Grief, Making Claims: Commemorative Quilts and American Activism” by Erika Doss.
“Quilts: Making, Giving and Sharing JOY” by Victoria Findlay Wolfe.
“Stitch (in) a Community Together: How Historical Signature Quilts Informed a Series of New Collaborative Projects” by Lynn Setterington.

Bird in Air

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"Made at Westport Town
I'm 'Bird in Air'
Sleep under me
And banish care.
Salome Thorpe
7168 pieces"

Bird in Air by Salome Thorpe, Collection of
the International Quilt Study Center & Museum.
Date attributed 1880-1900

Salome Thorpe was one of those rare quilters who recorded the name of her pattern on her quilt. We might call her one piece quilt Broken Dishes or Windmill but she called it "Bird in Air." I looked the four-patch up in BlockBase and found many other names published in the past 120 years or so.

The oldest published name seems to be Windmill in the Ohio Farmer in 1898.

Salome's quilt also illustrates how little we know about pattern names in the 19th century.

But like her, we tend to think of these triangles as birds of some kind from geese to hens to doves.


When I did a search for the word Bird in BlockBase I found many patterns, some quite literally birds
and others with a variety of symbolic geometrics. 

Pat Nickols Collection at the Mingei Museum
"The Basket By AG Ellison Age 9 yrs 1853"

Sometimes the name on the quilt is
exactly the name we'd call it. Thank you very much, Amanda Grace.

See more about Salome and her quilt at the IQSC website here:
It was their Block of the Month in March, 2006.

And A(manda) G(race) Ellison's quilt is cataloged here at the Mingei Museum:

A little more about her:



And about her sad end in 1915. The article is from the Brookfield Courier.



Strawberry Thief: Best of Morris

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Strawberry Thief from Best of Morris for Moda
#8176 in Black

Very few fabric patterns merit their own Wikipedia page. William Morris's Strawberry Thief  is one.

We've included three colorways in our Best of Morris for Moda.
I see the yardage is in shops now.

Sage Colorway
Morris designed the pattern in 1883

Indigo Colorway




The print also has it's own iPad game. A link to the Victoria and Albert Museum's site:

http://www.vam.ac.uk/blog/artists-residence-va/the-strawberry-thief-ipad-game

The Victoria and Albert has a great collection
of Morris prints, including this upholstered adjustable chair (Morris chair),
which gives you an idea of the size of the print sold by Morris & Company.
The chair is from about 1910. The fabric is velvet.

http://collections.vam.ac.uk/item/O9236/morris-adjustable-back-chair-bird-adjustable-back-chair-webb-philip/

The cotton print we've done for quilters at Moda is
smaller scale. You can see it in the black colorway
on top of the stack here.

Here it is on a chair seat I covered.

The thief in question is a song thrush.

Block from Stitching with Schnauzer and Siamese

Mimicking the Cherry Thief, 2009

Inspired by the Strawberry Thief, Australian Emma at SampaguitaQuilts made a Cherry Thief quilt.
The perpetrator is a lyre bird.

Decoupage by Nova &Lorsten

The Strawberry Thief design is in the pubic domain which means artists can go off in any direction they choose with it. Entertain yourself by doing a web search for the words:
strawberry thief decoupage

or 

strawberry thief jewelry

Silver brooch by Xuella Arnold

Too Bad For Me

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I have a file of quilts from online auctions that I'd like to make
But I know I never will.

This devil-may-care use of fabrics
is totally beyond me.

I guess I am just too darn sophisticated to be able to do this.

It would be totally faking it.

You have to admire the vision that combines the patchwork
pattern and the pattern in the fabric.

Neither patchwork nor prints get to dominate.

Which creates a certain dynamic

Sort of like a riot.

Somebody's calmed everything down here with a big, fat, white border.

Stars in a Time Warp

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A few of Bettina Havig's model blocks for the QuiltAlong.

Speediedie's Overdyed green repro

Over at the Stars in a Time Warp QuiltAlong we've been making a stack of stars. Readers are finding some great approximations of that overdyed green so prone to fading in mid-19th-century quilts.

S.F.'s Overdyed green

You can watch their progress on the Flickr page:

And see some posts on their own blogs:

Cynthia at Wabisabi Quilts
Turkey red and toile

Chrome orange prints and plains

Lori at Humble Quilts
Prussian blues

Wendy at the Constant Quilter
Chrome orange prints and solids.


Cyndi at Busy Thimble
Turkey reds and Prussian blues

Over-dyed green calico
Glad I Quilts


Deb started late but has caught up.

Barbara Schaffer
One chrome orange print in her stash and making the most of it.

Jeanne at Spiral
Shirtings

We're trying to use the prints like 19th-century quiltmakers did. This authentic look may be unsettling today but Jeanne's really captured the old aesthetic. Sharon's got it too.

GoFoSharon's Madder block

"I was afraid it might be too much but then I just decided to go for it . I 'm glad I did."

Machine Applique How-To

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Karla Menaugh's Sweet Harmony Crib Quilt detail.
Occasionally you find our old Sunflower Pattern Co-operative
patterns for sale on line.

I found a stack of our books when I moved, but the stand-alone patterns are scarce. 

This crib quilt of Karla's is one of my favorites.
Inspired by an antique, we chose subdued colors
in classic primitive style.

It's a simple pattern it would
look quite graphic in more vivid color.



We gave you a whole alphabet so you could
write anything you wanted such as baby's name
or LUNCH.

After telling you all about it I have to say it's out of print.

The group developed a fine machine-applique method over a lot of trial and error. We decided that the overcast stitch (shown below on two different machines) gave the best results in mimicking hand applique.

We use freezer paper templates to get accurate shapes.

And removable office dots for circles. 
The art department (me) adapted the patterns
just for machine applique with simple inner and outer curves.

People asked us about our technique so the technical department (Karla) organized a how-to book called Quiltmaker's Guide to Fine Machine Applique...



We described and pictured every step. Above:
how to get the best results in ironing a stack freezer paper leaves.


Inner curves....

Sharp points.

The teaching sampler goes from simple to sophisticated stitching in various blocks.

New Century Garden by Karla Menaugh


Cactus flowers are the basic lesson.

and split leaves one of the more difficult.


You can teach yourself (or your students) to do really nice machine applique using this book. I might modestly brag that it's an excellent technique book.

Buffy's version of the New Century Garden

And we still have copies. Buy the book at my Etsy Store:

A Fabulous Weekend in Washington

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Block from a Baltimore Album quilt in the collection
of the Daughters of the American Revolution Museum

The DAR Museum hosted a two-day seminar last weekend that was perfection for fans of Baltimore quilts and antique fabrics. "Eye-Opening Symposium" was held in conjunction with their ongoing exhibition "Eye on Elegance:  Early Quilts of Maryland & Virginia "

Deborah Cooney & Ronda Harrell gave a joint paper, "Saw Some Pretty Squares," on the
joint making of the BAQ album blocks in the 1840s and '50s, updating research on the cooperative producers of these masterpieces of applique---from designers to basters to stitchers.

Detail from a bedcover from the Wilkins workshop,
recent gift of Bill Volkening

Ronda also talked about Achsah Goodwin Wilkins and her earlier workshop.

Deborah Kraak in the background here
with Dr. Patricia Cox Crews and Newbie Richardson
in the foreground. 


Deb talked about "Fabrics a la Mode," recurring floral imagery and the botany behind the chintzes.

The supply chain in 1780s' Connecticut

Me: I talked about sources for quilt patterns and fabrics before the Civil War.

Detail of the reverse applique vine in one of  
Anna Catherine Markey Garnhart's quilts

Bunnie Jordan gave us an overview of the "Quilts of Early Maryland and Virginia" and what makes them unique.

Detail of an album quilt

Curator Alden O'Brien discussed the themes of elegance and refinement in those quilts and the social context of the society that produced them.

Detail of the Penn Album quilt, Designer #4.
UPDATE: Virginia corrects me:
"It's one of one of the several variations of design style II, "
Dang-I'll never get them straight.


Virginia Vis asked "Haven't I Seen That Before?" adding to our knowledge about details of style in the Baltimore Album quilt blocks' design.

We had a good time. Wish you were there.

See more of the quilts in the excellent online exhibit at the DAR Museum's website:

Spring Means Geese Flying

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Photo of snow geese from hjhipster/Flickr via ChesapeakeBay.net


Snow Geese
60" x 60"
See the free patchwork pattern by scrolling down.
  • 8 pieced strips
  • 7 plain strips between
  • 2 narrower strips on the edges.
Say goodbye to winter with some Flying Geese heading north.


I've been playing with all the indigo blues in my Best of Morris collection and decided to match them up with some textured whites from other designers. In the EQ7 sketch above I used the "Strawberry Thief" print in the strips.


But any of the larger blue prints would work great.

Here are two snow geese ideas from Moda. The lighter is a Grunge print
from Basic Gray called Vanilla
The darker a Rustic Weave in Eggshell.


Another option is to use the light for the background and
a variety of Best of Morris prints for the geese.




Cutting Instructions


I planned the first set of measurements to make the most of 5" pre-cut Charm squares for piece B. You'll need 2 Charm packs. Your geese and your alternating strips will finish to 3-3/4" wide.

A- Cut squares 2-3/4". Cut each into 2 triangles with one diagonal cut. You need 512 triangle A. Cut 256 squares.


 B - Cut squares 5". Cut each into 4 triangles with two diagonal cuts. You need 256 triangle B. Cut 64 squares.



Strips between the geese: Cut strips 4-1/4"
Strips on either side.Cut strips 2-3/8".


A Larger block---Larger Quilt

6 pieced strips; 5 plain.
About 102" square.
No edge strips.


You can also use Layer Cakes (10" squares) for piece B. You need 36 squares for 144 geese (B).

A -Cut squares 5-1/4". Cut each into 2 triangles with one diagonal cut.
B - Cut squares 10". Cut each into 4 triangles with two diagonal cuts.
Cut your strips 9-1/4" wide.
Geese and strips will then be 8-3/4" wide finished.

Fabric for the larger quilt. EQ sez:
  • 5 yards for the alternate strips and binding
  • 3-1/4 yards of the light for triangles A
Then I started thinking summer geese with color.

How about Kathy Schmitz's Crackle in Yellow


As summer fields...

...Or autumn

Using a large Morris print for the background
and the Crackle behind each goose.

The large print:
 Cherwell in Brown

Then there's a spring green, one of Moda's new Crossweaves
in a color called Pond.


Happy Spring!

Quilt Shows: Antique Quilts Spring/Summer 2015

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Pack a lunch and get on the road to see some
shows featuring antique quilts spring and summer, 2015.

California, San Diego
The Mingei Museum will display changing selections from the Pat L. Nickols collection throughout 2015 in its Theater Gallery.
http://www.mingei.org/americanicons/

Kiracofe Collection
California, Sonoma
Sonoma Valley Museum of Art. Unconventional and Unexpected: American Quilts Below the Radar, 1950–2000Visually stunning pieced quilts and quilt tops, mid-to late-20th century, from the collection of Rod Kiracofe. Through May 17, 2015

Colorado, Golden
Rocky Mountain Quilt Museum. Past Presence: Antique Quilts that Capture the Imagination. Through April 28. 
It's What We Do: 25 Years of Collecting. July 30 through October 27, 2015.
https://rmqm.org

Kentucky, Paducah
National Quilt Museum. This year's New Quilts from an Old Favorite features the Nine Patch with innovative quilts and antiques. Though May 19.
A Tradition of Variations from the Pilgrim/Roy Collection, traditional quilts with unique style.
May 22 - August 17
http://www.quiltmuseum.org/upcoming-exhibits.html


The Paducah Rotary will show hexagon quilts from Mary Kerr's collection during Quilt Week,
April 21–25, 2015.



Massachusetts, Lowell
New England Quilt Museum. A Passion for Prussian Blue, curated by Anita Loscalzo, focuses on this brilliant dye. Through April 4, 2015.
http://www.nequiltmuseum.org/


Nebraska, Lincoln
International Quilt Study Center & Museum/Quilt House.

  • Signature Cloths.
  • Reflections of the Exotic East in American Quilts.
  • Covering the War: American Quilts in Times of Conflict.

http://www.quiltstudy.org/exhibitions/nowshowing/nowshowing.html

IQSC's Seventh Biennial Symposium, Making and Mending: Quilts for Causes & Commemoration, will be held April 16-18, 2015. See more here:
http://www.quiltstudy.org/discovery/symposium/

Nebraska State Historical Society at the Great Plains Art Museum. Homefront & Battlefield: Quilts & Context in the Civil War. This show from the American Textile History Museum "highlights a broad range of textile artifacts and other objects to explore the Civil War." Through June 27, 2015.
http://www.unl.edu/plains/gallery/exhibitions.shtml

Log Cabin from IQSC collection
Texas, LaGrange
Texas Quilt Museum. Antique Log Cabin Quilts from the International Quilt Study Center plus Vintage Apps: Block Quilts and Appliqué.


  • Kimono Quilts and Kimonos April 2-June 28, 2015
  • Antique Four-Poster Quilts July 2-September 27, 2015.

http://www.texasquiltmuseum.org/



Virginia, Christiansburg
Montgomery Museum and Lewis Miller Regional Art Center. A Pieced History: Quilts of Montgomery County. Twenty locally made historical quilts, through April, 2015.
http://montgomerymuseum.org/

Virginia, Harrisonburg
Civil War Quilts: Antebellum to Reunion. July 14 to October 3, 2015
http://www.vaquiltmuseum.org/

Virginia, Williamsburg
Abby Aldrich Rockefeller Folk Art Museum, A Celebration of Quilts " quilts that represent the diversity of quilts made in America from the 18th through 20th centuries. Several of the quilts are new to the collection and have never before been seen by the public."
Through June, 2016.
http://www.history.org/history/museums/abby_art_current.cfm

Quilt by Amelia Haskell Lauck
DAR Museum

Washington D.C.
D.A.R. Museum. Eye on Elegance: Early Quilts of Maryland and Virginia. Through September 5, 2015.
Curator of Costume and Textiles Alden O’Brien looks at quilts from Maryland and Virginia in an exhibit of 36 quilts with a focus on quilts from 1790 to 1860, design migrations and the many hands who made the quilts.

Wisconsin, Cedarburg
Wisconsin Quilt Museum. In Stitches: Embroidery Needle Arts. Exhibit includes crazy quilts, punchneedle, redwork, needlepoint, counted cross-stitch artwork. April 15 – July 12, 2015


Best of Morris Kits

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Best of Morris
Designed by Susan Stiff & Barbara Brackman for Moda
82" x 82"


Now that the Best of Morris bolts are in shops you can also find our kit for the collection. This is the Moda "official kit."



See a PDF about this line here:


Hancock's of Paducah also created a kit using the Best of Morris Fabric with the Floral Trick pattern by Jenice Belling of Quilted Garden Designs.


Here's a link:
http://www.hancocks-paducah.com/SHOP-BY-THEME/Moda-Best-of-William-Morris-by-Barbara-Brackman/Moda-Best-of-William-Morris-Earth-Tones-12-Fat-Quarters_3

I'll post other kits available as I find them.

Linda Bergmann's Civil War Color Schemes

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Linda Bergmann, Civil War Elegance


I found a picture on the web in a group of favorites from Sacramento's River City Quilt Show
in 2013. I liked Linda's palette and then when I looked at a close-up I could see why.


She's used several fabrics from my Civil War Reunion collection for Moda from a few years ago. I am impressed by the way Linda uses modern paper-piecing techniques and Karen-Stone-inspired design with the old-fashioned palette derived from natural dyes.


Various photos show the colors slightly different but I hope
you get the picture.



Linda's been winning a lot of ribbons with her quilts over the past few years.

Fractured Star by Linda Bergmann
Quilted by Debbie Lopez

60" x 60"
The pattern is An Unusual Lone Star from Karen K. Stone. See the pattern here:


Linda's statement: "This star is a variation of the Star of Bethlehem; all paper pieced with Civil War fabrics."

A Trip to Stella Rubin's Showroom

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Stella and a Mathematical Star, about 1830-1850.

When the DAR Museum was holding their symposium Eye on Elegance last month Stella Rubin added to the attractions by inviting us to her quilt showroom in her home in Maryland.

The showroom is piled with quilts.

A child's quilt dated 1885

With several on the walls

We folded and unfolded. Here's Jill with a medallion crib quilt
from the early 19th-century.

Kim Ivey is sainted with a halo cast by another giant star quilt behind her head.

The quilts are in mint condition.

Stella has one or two or six of everything.

She invited us out in four groups.

Uh-oh, here comes the next round of quilt fans. We had to go.
Thanks, Stella!
See Stella's online shop here:
http://www.stellarubinantiques.com/

Esther Aliu's Love Entwined

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Center of Love Entwined from Esther Aliu's site.

Have you been keeping up with Esther Aliu's pattern for this 1790 Marriage Coverlet?

Happy Appliquer's center

Esther's inspiration was a poor black and white snapshot
in Averil Colby's 1956 book Patchwork

The pattern is an amazing feat.

See her introduction here:

Tiny's Hobby Corner
And so are the quilts in progress....

Aubert France

Esther's Pinterest Page is a good place to keep track of what's going on:

Supergoof has some borders finished.

Honeybee Kit in Best of Morris

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12" block in the Best of Morris Table Runner Kit

Here's a kit made from my latest William Morris repro fabrics.
Moda is offering a kit on Craftsy.

12" x 58"

Click here to see the Best of Morris Table Runner kit:
http://www.craftsy.com/supplies/moda-best-of-morris-table-runner-kit/10296

"Bring timeless style to your dinner table with Moda's Morris Table Runner Kit! You'll receive a pattern and fabric to sew this elegant, 12" x 58" runner. Featuring classic prints and an easy-to-piece design, this project comes together quickly -- and makes a lasting impression!"





I loved the look and did a little digital sketching to see what the 12" blocks would look like if you made 16 of them and added a little border (maybe 3") for a 56" square quilt.


The block pattern is an old one dating back at least to the 1840s. 

You find it in various classic color schemes like indigo on white. The basic structure is a square in the center of the block with 3 leaves on each corner. All can be appliqued but occasionally you find a vintage example in which the square background is pieced and the leaves are appliqued over the seams.



I've been doing a little pattern tracking on the block, trying to figure out the date of the design and the influences. In my book Encyclopedia of Applique it's got a number (#5.32) but no name. You can barely read my fuzzy snapshot of page 64 above.
It says:
"5.32 
T (for traditional pattern)
Unnamed---from a quilt ca. 1840"

I have found several variations in mid-19th century quilts, 
with the variety in the shapes of the leaves.

These are from samplers and from single-pattern repeat block quilts.


A different green, typical of the early 1840s

when Sarah Ann Smith of Swarthmore, Pennsylvania
signed and dated this chintz-bordered version in 1844.

Here's a graceful example--mid-19th-century.
Are those seams extending from the edges into the leaves?

I guess you could piece this whole thing.
You---not me.


A block from an album/sampler. The corners look like cacti.

During the 20th century a change occurred.
The center square became a nine-patch.

#5.33
Here I labeled it T for Traditional applique and indexed two names:
  • Honey Bee from Nancy Cabot's quilt column in the Chicago Tribune in 1933.
  • Birds in the Air from the Coats and Clark Thread Company in 1942.
Maybe it isn't so T for traditional, but rather a D for designer-drawn.
Ruby Short McKim is probably the first designer to show this pattern with a nine-patch in 1929.



McKim's pattern published in the Kansas City Star in 1929.


Carrie Hall called it Blue Blazes too in her 1935 book Romance of the Patchwork Quilt.

Here's the actual block from the Hall collection at the Spencer Museum at the University of Kansas.
(An aside: I bet that tan color was once darker than the blue, but it has faded to khaki.)

To see it at Spencer's online collection site click here and scroll down:

Hall in her book included a photo of a finished quilt with the nine-patch center. It's tough to tell how old it is from the black and white photo but the border is a weak clue to after 1870 or so. Hall, who was always on the side of romance --- as in fiction---captioned this quilt "Honey Bee: A beautiful specimen of this lovely old colonial pattern." Colonial technically means before 1776 but in the 1930s that word implied "old." It's certainly not a colonial pattern, much more an 1840s design, which of course is "old."


Because the block with the nine-patch is mostly pieced I included it in my BlockBase for pieced designs.


The block with the nine patch has a number in BlockBase #2217 and an applique number #5.33.

In either format---with or without the nine-patch--- it's a good beginner's block because it's simple piecing and simple applique.

The Table Runner kit is an excellent format for basic patchwork, a good teaching tool, or a project to improve your skills.

Another vintage variation---no name, no number, one of a kind?

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