Margaret Younglove Calvert's Unusual Quilt

Beulah Strong illustration of Aunt Jane, 1907, holding a utilitarian quilt that probably mortified the author's mother. Aunt Jane is famous for asking: “Did you ever think, child, how much piecin’ a quilt’s like livin’ a life?"

Blocks pieced of various clothing fabrics float in a geometric design.

The basic pattern is two shapes, probably pieced over papers. The 60 degree diamond

 makes shaded blocks separated by 6-sided shapes, elongated hexagons.

I've shifted their photos greener as they look a little too pink.

The paper pieced central design appears to be appliqued to a blue

background...

which has faded as if it's been folded and exposed to light over

a period of time.

I would guess that the blue background is a manufactured quilted fabric, the kind

of machine quilted silk yardage often used for lining.

Something you might see inside a jacket or coat.

A shortcut late-Victorians used for the backs of crazy

quilts like this one.

WKU has much information about Margaret and even a little about her quiltmaking. She was born in Johnstown, Fulton County, New York, north of Albany, the ninth of ten children born to a shoemaker who died when she was fourteen, leaving her an orphan. 

Two brothers who'd opened a drugstore in Bowling Green, Kentucky offered to raise her and she spent the rest of her life there, marrying in 1855 Thomas Chalmers Calvert (1826-1898), a Presbyterian minister's son born in Kentucky. His North Carolina parents moved to Bowling Green when he was a boy, his father preaching at a Presbyterian Church. When Margaret died in 1920 she was the oldest member of the town's First Presbyterian Church.

Margaret had five children born between 1856 and 1870. The oldest of her four girls was Eliza Caroline Calvert, known as Lida. She wrote dialect stories for popular magazines using a variation of grandmother Eliza Hall Calvert's name as a pen name. 

Thomas Calvert prospered as a bank manager; Margaret's quilt certainly speaks of leisure and access to luxury fabrics. When was it made?  Paper-pieced quilts of these kinds of dress scraps tend to be from the 1850s to the 1890s. When Margaret married in 1855 she may have been working on it.

Lynn E. Niedermeyer in her biography of Margaret's daughter quotes a letter from Margaret's sister Jane to her new brother-in-law Thomas Calvert. Apparently Margaret did not want any help from her sisters.

The quilt may have taken years, the years when Margaret was having children and living the life of a wife of a well-to-do business man. She had household help. 

The 1860 slave schedule in the census lists two slaves for the family, one of whom may have been this woman whose photograph is in the Younglove/Calvert Family papers. After emancipation a woman the children called Aunt Bella continued to help raised Margaret's children while Thomas made a post-war fortune in speculation and built a new Italianate mansion.

The Museum gives 1879 as an ending date for the quilt. Margaret's life changed so much in 1870, however, that she may have put it aside.

 Her husband was accused, quite rightly, of embezzlement from the bank. One night in November, 1870, a few days after Margaret had given birth to son Edward, he snuck out of the house and disappeared, leaving her with five children, debt and a scandal. She and her older daughters with help from Bella followed the usual pattern of "decayed gentlewomen," taking in laundry and sewing work to survive, moving in with relatives. No time for patiently piecing small diamonds together.

However, Margaret may have showed this particular quilt in 1860 at the Kentucky State Fair in the "Silk Patchwork Quilt" category, where there were five entries and she received a second place certificate. Was her quilt finished by 1860 or did she make several exceptional show quilts over her long life?

There's a lot more to Margaret Younglove Calvert's story. Read Lynn Niedermeyer's book Eliza Calvert Hall: Kentucky Author & Suffragist at this preview: