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Past Perfect: Quilts de Légend

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Somerset by Marie Francoise Gregoire
Inspired by a quilt in the Victoria & Albert Museum.

This month's Past Perfect post features a group: the French organization Quilts de Légend which as far as I can translate means Legendary Quilts---but I think the meaning is more like Traditional, Fantastic Quilts.

My French is pretty bad. I read just enough to mistake the meaning, so please, French speakers, correct my misinformation if you would.

Le Chapman by Marie Francoise Gregoire:
Another V&A quilt as inspiration.

I picked two of the many master artists to feature as I had shots of several of their quilts
from past years.


Here's what I can figure out.
Quilts de Légend is a branch of Association France Patchwork, the French Patchwork Guild, which began in 1984 and now has 12,000 members. Every other spring the group holds a special exhibition, usually in Brouage, France. The exhibit is up now until June 11th at La Tonnellerie & la Poudrière.

2017 is the 9th version for the juried exhibit, which is held every other year and travels through Europe. The current theme is QUILTS XIX Début XX Siècle. My translation: Quilts From the End of the 19th Century into the 20th.


Alabama  by Marie Francoise Gregoire.

Participants have been making reproductions of American quilts from that period for this year's competition. There are stringent rules for entry:

Page Botanique by Louise-Marie Stipon,
inspired  by Ernestine Eberhardt Zaumseil 's quilt 
at the Metropolitan Museum of Art

Sue Garman described the rules:
"The quilts are all reproductions of antique quilts from Europe, Australia, and the United States. The rules for entry state that every quilt must be an exact reproduction of an antique quilt, using fabric as true to the original as possible, and they must be made entirely by hand: no machine piecing, no machine quilting, no machine assembly, no machine binding. Every stitch in the quilt must be done by hand. Knowing this makes the quilts, indeed, legendary."

Quilting by Louise-Marie Stipon

Teri & Kara at the Needle'sEyeStories blog interviewed curator Catherine Bonte who said:
"The quilts must be made from a picture in a book or a museum, without kits or patterns. All of the work is by hand; no machine stitching is permitted. The members' work is strictly judged for quality of stitches, including quilting....the quilts included in the exhibit are 'the best of the best of the best.'"

Floral Sampler by Louise-Marie Stipon.


Needle manufacturer Bohin sponsors the exhibit which travels all over Europe. You may have seen one bi-annual version at the Quilt Festival in Houston.

It is wonderful that the French quiltmakers have so much respect for our quilt history and for handwork. (No matter how many times you read the cliche, handwork is NOT a dying art.)

The question might be: Why do we not have a similar exhibit in the United States? The prestige of being accepted is incentive to do a lot of handwork and studying antiques. The closest thing is AQSG's bi-annual challenge (this year on solid color quilts.) The rules are not so stringent and the repros are smaller.


Brouage is an old fortified city on the coast of the Bay of Biscay, about 183 kilometers from Nantes (114 Miles) so one could visit the quilt fest in Nantes, Pour l'Amour du Fil, and the exhibit in Brouage in the same trip--- some spring in an odd numbered year.. 


There's a book from Moda and Linzee MacCray in 2012.
Quilts de légende : L'univers Moda by  Linzee Kull MacCray

LINKS
France Patchwork's blog:

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